“We’ve been working with the Miracleman artists to obtain original artwork or photostats in every instance possible, and then applying the same painstaking restoration methods and rigorous quality standards that are utilized on the Marvel Masterworks line. The Marvel Special Projects team have even been developing some new techniques specifically for this project. These Miracleman issues will receive the most advanced restoration possible to ensure the most authentic reading experience,” says SVP of Marvel Publishing David Gabriel. “The art is crisp, clear, and looks as good – if not better than the day it was published! Also, the stories are being completely relettered to meet today’s standards.”
This was commissioned by a very patient fellow. He gave me a lot of freedom with this piece, so I did my best to do the comic justice. I believe this is the first time I’ve had a painted background for a piece, and on it, I tried to incorporate some of John Totleben’s imagery from the issue.
'I can sure recall any number of individual moments in these comics. There's a birth. There's the way the character initially puts together his “magic word.” There's a scene where they're reading comics for clues. There's a man with scary teeth. There's one where they talk about sex education as something that should involve having sex as part of that education. There's a bunch of stuff with the creepy Kid Miracleman character, a wonderful bad guy. There's the arch-villain that looks like the late Joe Paterno. And then there's the single issue with all the killing, which I remember mostly in terms of its visual texture, one giant smear of pain. That was one of the actually rare comic books of its day, incidentally; I had two or three interns at TCJ that asked to read the office copy the day they arrived.'