by Tom Spurgeon
Ten days or so past the official announcement, I’m thinking More Watchmen may be best understood as a blow to comics’ dignity. It’s product, not art. It’s a limited, small series of ideas derived from a bigger, grander one. It’s sad. One thing that Watchmen did a quarter century ago was to underline certain values of craft and intent and creative freedom that have helped to yield enough equivalent expressions — to my mind even grander expressions — that we may now see this follow-up project for what it is: nothing special.
‘When discussing Rorschach, [Alan Moore] shared that the tone of his diary was inspired by the letters Son Of Sam David Berkowitz sent to the news papers, and (confirming my own theory) that his speech patterns were based on Herbie the Fat Fury.’
Watchmen #12 (1987), artist: Dave Gibbons